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    Obama re-elected

    Thursday, November 8th, 2012

    How happy would be Ron; his hometown was also Chicago. There Ron marched with Martin Luther King, founded a film centre und collaborated with the film and visual arts section of the World Council of Churches. In 2008 Ron voted for Barack Obama.

    “Because the night belongs to lovers, because the night belongs to us.”

    Wednesday, November 7th, 2012

    In KINO – German Film No:95 begann Ron Holloways Bericht zur Berlinale 2009 wie folgt: Asked whether the Berlinale has fostered an image as a “political” film festival, Christoph Schlingensief, the German jury member at the 59th Berlin International Film Festival (5-15 February 2009), stated frankly: “A competition entry here scarcely stands a chance otherwise.” Schlingensief, a […]

    Pier Paolo Pasolini & Harry Raymon Exhibitions

    Tuesday, November 6th, 2012

    Recently, Berlin’s Schwule Museum(Gay Museum) presented two exhibitions about two gay filmmakers on display. One is the internationally famous Italian film director, poet and writer, Pier Paolo Pasolini; the other, Harry Raymon, did not go beyond the border so much, that surprises us still more. In celebration of Pasolini’s 90th birthday his works are on […]

    Glückwunsch Regina Ziegler und Team!

    Monday, October 22nd, 2012

    Für Der Mann mit dem Fagott (The Man with the Bassoon) bekam Ziegler-Film in der Kategorie Serie den Deutschen Fernsehpreis 2012. In KINO – German Film No: 102, Seite 45 habe ich darüber berichtet mit Bild (!) habe aber nicht gesagt Produktion Ziegler Film! The Man with the Bassoon has two parts, therefor the price in the section […]

    Barbara by Christian Petzold

    Monday, September 24th, 2012

    Barbara ist the new movie directed by Christian Petzold. It’s his third movie after Gespenster (2005) and Yella (2007) and also his Competition entry at this year’s Berlinale – and it now is Germany’s entry for the Best Foreign Language Film Academy Award for 2013. At the beginning of the 1980s in East-Germany: the talented […]

    Mitglieder stellen vor

    Monday, September 17th, 2012

    Die Veranstaltung der Akademie der Künste “Mitglieder stellen vor” kann nicht genug gelobt werden. Am 12. September stellte Jutta Brückner den Film “Liebe” von Michael Haneke vor. Das Meisterwerk mit den wunderbaren Schauspielern Emmanuelle Riva, Isabelle Huppert und Jean-Louis Trintignant, in Cannes mit der Goldenen Palme geehrt, war in der Akademie am Hanseatenweg total ausverkauft und dem […]

    Ehrenpreis für Judith Kaufmann

    Tuesday, June 19th, 2012

    Beim 22. Festivals des Deutschen Kamerapreises wurde Judith Kaufmann der Ehrenpreis verliehen. Ron liebte die Kamera-Arbeit von Judith Kaufmann sehr. In KINO – German Film No. 97 und No. 98 steht im Zusammenhang mit Die Fremde by Feo Aldag folgendes: “the film which is perfectly framed by  a master cinematographer Judith Kaufmann.” Weiter Informationen: www.kamerapreis.de

    2012 Academy Awards through the KINO eye of 2011

    Thursday, March 1st, 2012

    This year’s Academy Awards saw two winning films in the most prestigious categories Best Film, Actor In a Leading Role, Directing, Costume Design, Music (The Artist by Michel Hazanavicius) and Best Foreign Language Film for Nadar and Simin, A Separation by Asghar Farhadi. Both masterpieces were still subject to reviews in 2011 KINO issues No. 100 and No. […]

    Memories of Oberhausen

    Tuesday, February 28th, 2012

    “The old film is dead. We believe in the new one.” On 28 February 1962, at the 8th West German Short Film Festival in Oberhausen, 26 West German filmmakers proclaimed the Oberhausen Manifesto. This moment marked a milestone in the development of German cinema – never before, and never again, would a break with existing […]

    GoEast Symposium April 2012: RealAvantGarde – With Lenfilm through the short 20th century

    Monday, February 20th, 2012

    The 2012 goEast Symposium in Wiesbaden (April 19-22, 2012) departs from the pattern established in previous years: instead of covering a theme with general relevance for Central and Eastern Europe, this year’s Symposium focuses on a single national institution: Lenfilm, the first film studio to be set up in the USSR. Lenfilm recently returned to […]

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